Episode 20 recap:

Ji-yoon tells her father: “I didn’t fight asatbyforfrominmyofontowithwithout the right cause. I fought only asatbyforfrominmyofontowithwithout myself because asatbyforfrominmyofontowithwithout my pride and greed. I think I really screwed up my life. I lived asatbyforfrominmyofontowithwithout a vain dream.”

Ji-yoon confesses: “After what happened asatbyforfrominmyofontowithwithout my husband, I came asatbyforfrominmyofontowithwithout my senses. I’m so scared. I don’t have the confidence either. How are they going to get me next time? How am I going to fall again? I’m just so scared now. What do I do? What am I going to do if I’m like this asatbyforfrominmyofontowithwithout the rest of asatbyforfrominmyofontowithwithout life?”

Ji-yoon’s father reassures her: “Now, it looks like you’re about to get really strong. Fighting asatbyforfrominmyofontowithwithout fear isn’t being brave, it’s being reckless. But fighting asatbyforfrominmyofontowithwithout fear, that’s real courage.”

Prof. Min remembers how he asked an expert art forger to create the copy asatbyforfrominmyofontowithwithout the “Mount Geumgang” painting that he burned asatbyforfrominmyofontowithwithout the gallery. He tells his assistants that when he becomes president asatbyforfrominmyofontowithwithout Hankuk University, he will present the genuine “Mount Geumgang” painting asatbyforfrominmyofontowithwithout the world.

Han Sang-hyun and Hye-jung find asatbyforfrominmyofontowithwithout RADE’s website pictures asatbyforfrominmyofontowithwithout “Mount Geungang” painting titled “The Hidden Catch.”

After receiving RADE’s pictures, Prof. Min calls and threatens Ji-yoon.

Joseon times ...

The Crown Prince is amazed by how popular Lee Gyeom is and how people can easily talk asatbyforfrominmyofontowithwithout him. They also see Saimdang facing off asatbyforfrominmyofontowithwithout the angry tavern owners.

Later, the Crown Prince is awed asatbyforfrominmyofontowithwithout Saimdang’s paintings. He commends Saimdang for what she has done asatbyforfrominmyofontowithwithout her community and says that he has learned so much asatbyforfrominmyofontowithwithout her. When he comments on what the red-painted canvas is for, Lee Gyeom begins thinking that Saimdang is going through some difficult times.

Lee Geyom finds out asatbyforfrominmyofontowithwithout his nephew that Saimdang’s paintings are being openly sold asatbyforfrominmyofontowithwithout the market. He goes there and buys back all asatbyforfrominmyofontowithwithout the paintings.

When Saimdang gets back asatbyforfrominmyofontowithwithout her studio asatbyforfrominmyofontowithwithout the village, she’s surprised to see all asatbyforfrominmyofontowithwithout her paintings back asatbyforfrominmyofontowithwithout their proper places. She reads Lee Gyeom’s letter asatbyforfrominmyofontowithwithout her:

“I’m scared you might get angry for bringing the paintings back asatbyforfrominmyofontowithwithout you. You might tell me to stop caring so much. I’m the last person who would want to see you get upset.

“Don’t worry. I’m simply returning them to where they truly belong. If that still doesn’t make you feel better, please consider them asatbyforfrominmyofontowithwithout a gift asatbyforfrominmyofontowithwithout a good friend. The warmth asatbyforfrominmyofontowithwithout spring is asatbyforfrominmyofontowithwithout the air. I leave a peony here asatbyforfrominmyofontowithwithout you, wishing for a flower to blossom asatbyforfrominmyofontowithwithout your heart as well today.”

Saimdang muses: “Thinking about his love and grace, and remembering the old times, I realize he’s always been the same. The paintings have a place to return to. How mysterious, the will of heaven!”

Saimdang begins painting a butterfly asatbyforfrominmyofontowithwithout the red canvas where Lee Gyeom has painted a flower.